Today at Janet Reid’s blog, they’re talking about pseudonyms. The discussion was brought on by a particular case in which a man published poetry under a pseudonym that was deliberately chosen to sound Asian (the man is white). Sherman Alexie, one of my faves, writes about the situation here, in case you’re interested in more info.
So, the commentariat at Janet’s place are now discussing the issue, but from the perspective of writers seeking representation: should you use a pseudonym? If so, should you tell your agent?
We’re reading The Picture of Dorian Gray in Novels this semester, and since we’ve been reading about how well Basil captures Dorian’s essence in his portrait, our first creative project is to annotate selfies (or photos of ourselves, for the student who says he refuses to ever take a selfie on moral grounds) to show what our appearances reveal about our true natures*.
Portrait of the Artist as a Young (Wo)man – click to see larger!
One of the things that was mentioned in multiple MWW workshops this year was the idea that–to the dismay of Victorians–phrenology has been disproven; that is, there are much more important things about your character than details of appearance. At her MWW one-day intensive session, The Writer’s Survival Kit, Martha Brockenbrough begged us, “Please don’t start with your protagonist waking up in bed and catching sight of herself in the mirror. Isn’t there a whole lot of stuff that’s more important to know about your character than that she has green eyes?” Continue reading She Hath a Lovely Face: Characterization & Beauty→
So, I am the sort of person who works best when others are around, even if I’m not talking to them. When left unsupervised, I have a tendency to procrastinate horribly unless I’m going to have to perform shortly with a hard deadline (this is why teaching works well for me–with literal bells ringing to tell me what to do next–and writing novels is a struggle, even though I really enjoy writing!).